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thomaslowrysghost:

“Longfellow Gardens, Minneapolis. Photograph Collection, Postcard ca. 1905”

A Minneapolis businessman and showman named Robert “Fish” Jones first bought a property near the edge of downtown Minneapolis in 1886.[2] He converted the 3-acre (12,000 m2) property into a zoo for the animals which he had collected since his arrival in Minneapolis in 1876.[3] These included lions, jaguars, leopards, bears, cattle and a camel.[3] The amount of animals he kept, however, soon grew and Jones was forced to move from the property on Hennepin Avenue to an area in south Minneapolis.[2] Then, in 1906, he opened the zoo to the public. He also built a house styled after the home of poet Henry Wadsworth Longfellow, where he lived for the rest of his life.
In 1908, in a ceremony presided over by Minneota RepresentativeFrank Nye, Jones and a group of others were honored by a letter from Alice M. Longfellow, the daughter of the poet, noting her wish to some day come and visit the gardens.[1] She never came, however.

(Image via MHS Visual Resources Database. Text via Wikipedia)

thomaslowrysghost:

“Longfellow Gardens, Minneapolis. Photograph Collection, Postcard ca. 1905”

A Minneapolis businessman and showman named Robert “Fish” Jones first bought a property near the edge of downtown Minneapolis in 1886.[2] He converted the 3-acre (12,000 m2) property into a zoo for the animals which he had collected since his arrival in Minneapolis in 1876.[3] These included lions, jaguars, leopards, bears, cattle and a camel.[3] The amount of animals he kept, however, soon grew and Jones was forced to move from the property on Hennepin Avenue to an area in south Minneapolis.[2] Then, in 1906, he opened the zoo to the public. He also built a house styled after the home of poet Henry Wadsworth Longfellow, where he lived for the rest of his life.

In 1908, in a ceremony presided over by Minneota RepresentativeFrank Nye, Jones and a group of others were honored by a letter from Alice M. Longfellow, the daughter of the poet, noting her wish to some day come and visit the gardens.[1] She never came, however.

(Image via MHS Visual Resources Database. Text via Wikipedia)

(via neighborhoodr-minneapolis)

belacqui:

Henri Matisse, Pansies on a Table (1919)

belacqui:

Henri Matisse, Pansies on a Table (1919)

(via cavetocanvas)

Don’t walk behind me; I may not lead. Don’t walk in front of me; I may not follow. Just walk beside me and be my friend.
– Albert Camus (via alecshao)
laurenkrukowski:

Lauren Krukowski, The Studio of Gratifying Discourse I, mixed media on paper, 30” x 24.5,” 2012

laurenkrukowski:

Lauren Krukowski, The Studio of Gratifying Discourse I, mixed media on paper, 30” x 24.5,” 2012

M.I.A. Bad Girls

I am a night painter, so when I come into the studio the next morning the delirium is over. I come into the studio very fearfully, I creep in to see what happened the night before. And the feeling is one of, “My God, did I do that?”.
Philip Guston (via colourthysoul)

(via sfmoma)

laurenkrukowski:

Lauren Krukowski, Gauguin Cover: Aha oe feii?, mixed media on wood, 20” x 16”, 2012

laurenkrukowski:

Lauren Krukowski, Gauguin Cover: Aha oe feii?, mixed media on wood, 20” x 16”, 2012

whitneymuseum:

Kai Althoff, Untitled, 2011. Now on view as part of Whitney Biennial 2012. 
Photograph by Lauren Krukowski

whitneymuseum:

Kai Althoff, Untitled, 2011. Now on view as part of Whitney Biennial 2012

Photograph by Lauren Krukowski

thomaslowrysghost:

“Longfellow Gardens, Minneapolis. Photograph Collection, Postcard ca. 1905”

A Minneapolis businessman and showman named Robert “Fish” Jones first bought a property near the edge of downtown Minneapolis in 1886.[2] He converted the 3-acre (12,000 m2) property into a zoo for the animals which he had collected since his arrival in Minneapolis in 1876.[3] These included lions, jaguars, leopards, bears, cattle and a camel.[3] The amount of animals he kept, however, soon grew and Jones was forced to move from the property on Hennepin Avenue to an area in south Minneapolis.[2] Then, in 1906, he opened the zoo to the public. He also built a house styled after the home of poet Henry Wadsworth Longfellow, where he lived for the rest of his life.
In 1908, in a ceremony presided over by Minneota RepresentativeFrank Nye, Jones and a group of others were honored by a letter from Alice M. Longfellow, the daughter of the poet, noting her wish to some day come and visit the gardens.[1] She never came, however.

(Image via MHS Visual Resources Database. Text via Wikipedia)

thomaslowrysghost:

“Longfellow Gardens, Minneapolis. Photograph Collection, Postcard ca. 1905”

A Minneapolis businessman and showman named Robert “Fish” Jones first bought a property near the edge of downtown Minneapolis in 1886.[2] He converted the 3-acre (12,000 m2) property into a zoo for the animals which he had collected since his arrival in Minneapolis in 1876.[3] These included lions, jaguars, leopards, bears, cattle and a camel.[3] The amount of animals he kept, however, soon grew and Jones was forced to move from the property on Hennepin Avenue to an area in south Minneapolis.[2] Then, in 1906, he opened the zoo to the public. He also built a house styled after the home of poet Henry Wadsworth Longfellow, where he lived for the rest of his life.

In 1908, in a ceremony presided over by Minneota RepresentativeFrank Nye, Jones and a group of others were honored by a letter from Alice M. Longfellow, the daughter of the poet, noting her wish to some day come and visit the gardens.[1] She never came, however.

(Image via MHS Visual Resources Database. Text via Wikipedia)

(via neighborhoodr-minneapolis)

artmagnifique:

HENRI MATISSE. The Window, 1916.

artmagnifique:

HENRI MATISSE. The Window, 1916.

(via michael-angelo-lombardo)

belacqui:

Henri Matisse, Pansies on a Table (1919)

belacqui:

Henri Matisse, Pansies on a Table (1919)

(via cavetocanvas)

Don’t walk behind me; I may not lead. Don’t walk in front of me; I may not follow. Just walk beside me and be my friend.
– Albert Camus (via alecshao)
laurenkrukowski:

Lauren Krukowski, The Studio of Gratifying Discourse I, mixed media on paper, 30” x 24.5,” 2012

laurenkrukowski:

Lauren Krukowski, The Studio of Gratifying Discourse I, mixed media on paper, 30” x 24.5,” 2012

M.I.A. Bad Girls

I am a night painter, so when I come into the studio the next morning the delirium is over. I come into the studio very fearfully, I creep in to see what happened the night before. And the feeling is one of, “My God, did I do that?”.
Philip Guston (via colourthysoul)

(via sfmoma)

laurenkrukowski:

Lauren Krukowski, Gauguin Cover: Aha oe feii?, mixed media on wood, 20” x 16”, 2012

laurenkrukowski:

Lauren Krukowski, Gauguin Cover: Aha oe feii?, mixed media on wood, 20” x 16”, 2012

whitneymuseum:

Kai Althoff, Untitled, 2011. Now on view as part of Whitney Biennial 2012. 
Photograph by Lauren Krukowski

whitneymuseum:

Kai Althoff, Untitled, 2011. Now on view as part of Whitney Biennial 2012

Photograph by Lauren Krukowski

"Don’t walk behind me; I may not lead. Don’t walk in front of me; I may not follow. Just walk beside me and be my friend."
"I am a night painter, so when I come into the studio the next morning the delirium is over. I come into the studio very fearfully, I creep in to see what happened the night before. And the feeling is one of, “My God, did I do that?”."

About:

Be well. Do good work. Keep in touch. -Garrison Keillor